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GIOTTO di Bondone Lamentation over the Dead Christ mk68
Fresco
Padua
Arena Chapel
c.1306
Italy
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GIOTTO di Bondone Madonna in Majesty mk68
Tempera on wood
Florence,Uffizi
Early Italian.
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GIOTTO di Bondone Lamentation over the Dead CHrist mk68
c.1306
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GIOTTO di Bondone Madonna in Maesta mk83
c.1310
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GIOTTO di Bondone The Devils Cast our of Arezzo mk86
c.1296-1297
Fresco
Assisi
San Francesco
Upper Church
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GIOTTO di Bondone Crucifixion mk86
1303-1305
Fresco
Padua
Arena Chapel
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GIOTTO di Bondone The Marriage Procession of the Virgin mk86
1303-1305
Fresco
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GIOTTO di Bondone Enthroned Madonna with Saints mk86
c.1305-1310
Tempera on wood
325x204cm
Florence,Galleria degli Uffizi
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GIOTTO di Bondone Joachim Takes Refuge in the Wilderness mk86
c.1303-1305
Fresco.
c.185x200cm
Padua,Arena Chapel
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GIOTTO di Bondone Anna and Joachim Meet at the Golden Gate mk86
1303-1305
Fresco,
c.185x200cm
Padua,Arena Chapel
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GIOTTO di Bondone The Lamentation of Christ mk86
1303-1305
Fresco
185x200cm
Padua,Arena Chapel
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GIOTTO di Bondone St Francis Giving his Cloak to a Poor Man mk86
between 1296 and 1299
Fresco
270x230cm
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GIOTTO di Bondone Joachims Traum mk92
1304-1306
Padua,Arenakapelle
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GIOTTO di Bondone Throning God mother with the child mk137
1310 Tempera on wood chalkboard 325x204cm Galleria degli
Uffizi, Florence
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GIOTTO di Bondone The Demons are Cast out of Arezzo mk156
1296-1297
Fresco
Upper Church of San Francesco
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GIOTTO di Bondone Legend of St Francis St Francis Preaching before Pope Honorius Ill mk156
1296-1297
Fresco
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GIOTTO di Bondone Flight into Egypt mk156
200x185cm
1303-05
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GIOTTO di Bondone Meeting at the Golden Gate mk156
1303-05
Fresco
Cappella Scrovegni
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GIOTTO di Bondone Presentation of the Virgin in the Temple mk156
1303-05
Fresco
Cappella degli Scrovegni Dell- Arena
Padua
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GIOTTO di Bondone Ognissanti Madonna mk156
1305-10
Tempera on panel
325x204cm
Galleria degli Uffizi,Florence
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GIOTTO di Bondone
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Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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